The Agnes Starrett Lynch Award

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This is an excellent contest. Deadline forthcoming. Many tremendous college and university affiliated poets have won this one. Public poets can submit work, as well. Richard Blanco was published by this Press. There are some minority titles, as well. But, finding premier contests like this for any poet is difficult. Commercial publishers tend towards commercial work. If readers know of options for the public poet and even the University poet, please contact White Gardenia Poetry Press. We would be honored to publish the information. Mean while, read signatures from the University Of Pittsburgh Press. The poets are excellent. They will re-shape your concept of what poetry is and its territories. It is not a positive sign that more people in general do not read and understand the important sociological work of the poet. The deadline for this contest is very, very near.

Yona Harvey:A Poet Of Tremendous Skill Has A New Book

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When one sees poets read, their style and capabilities become very clear. Yona Harvey is a poet of integrity and character. Her book “Hemming The Water, ” has just been released. The book is an homage to what it is to be a wordsmith. This book can be purchased on Amazon.com. It is a powerful opus, oracular by nature. 

Budding Poets

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White Gardenia Poetry Press wants to thank Mt. Lebanon Montesorri Elementary School of Pittsburgh, for inviting the editor to do three day long sessions of poetry with their students. The students wrote many poems.Their talent and interest both were very keen. Their curriculum allows for much needed time to explain poetry and its various forms. Thanks once again. May poetry blossom in you forever. You have excellent teachers who wrote poems themselves. This was a wonderful experience.

The California Quarterly

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Writing and the other arts, the creative realms there are may indeed be the only “white walls” there are left in contemporary society. They are a forum of worth and can birth integrity, grit, earnest truths if that is what the writer or other creative person wishes… The California Quarterly is such a periodical of purpose and has just released volume 37, number 4. “Moon 22” by Russell Salamon is included, as well as “Lum De Day” by Michael Wurster.  There is a piece by Michael Faran on page 43 which is very interesting. It is titled “If I Told You” and is dedicated to Robert Creely. In this edition, there are many high quality poems. Most of those have a personal, confessional fervor to them. A passion. California Quarterly is published in California but publishes writers from across the nation. As suggestion, if you decide to send, it takes only standard, mailed submissions and you may need to try a few times, establish a rapport with them. Read samples of the work. Have others make suggestions on your work before sending.  You can find their information online. They respond not with form letters most times but caringly if time permits. This is very important in our era.

Ed Ochester Tribute In Pittsburgh

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Poetry in Pittsburgh is a highly favored art. The city and its region seem to generate poets due to the environs. On September 20, 2012 poets in Pittsburgh (some of them from differing realms but now Pittsburghers due to current locale) gathered together to pay tribute to Ed Ochester, a fellow poet of significance and worth. Mr. Ochester was the head of the English Department of The University of Pittsburgh for many years and the guiding spirit behind The University Of Pittsburgh Press which has published some of the best poets in The United States and world wide. This gathering began at 7pm at the Brillo Box restaurant and bar located at 4104 Penn Avenue in the Bloomfield neighborhood in Pittsburgh. It was held on the second floor which has a full stage and a bar and is decorated in lavish maroon hues. The poets for that evening included Lori Jakiela, Michael Wurster, Dave Newman, Michael Simms, Jan Beatty, Judith Vollmer and of course Ed Ochester. The atmosphere was charged with energy as each poet took their opportunity to thank Ed Ochester for his significant place in poetry and in their lives. Ed Ochester’s wife May and son Ned were present for the event and just as happy as he was. The event was very natural, very low key and went very smoothly. Amongst some of the poets who gathered for this event were Toi Derricotte, the guiding light of Cave Canem; Terrance Hayes, one of the most amazing poets Pittsburgh has produced from grass roots and a Professor of Poetry at Carnegie University. Joan Bauer, a producer and supporter of many poetry events in Pittsburgh was also there and many other Pittsburgh Poets. Refreshments were served, including homemade chocolate chip cookies which very delicious. This was a very important reading and well attended. Michael Simms is an excellent poet but his presence there was also as the publisher  of volumes of Ed Ochester’s poetry through the magnificent Autumn House Press. Ed Ochester’s mentoring of poets and his contact with other poets  and poets like him who do the same help to keep the art of poetry communal and alive make poetry a more vital art.

White Gardenia Thanks You

In the past month, various wordpress members have taken an opportunity to read some of the poetry and posts for “White Gardenia”. “White Gardenia” enjoyed these responses and was pleased to see there are other poets and posts that believe in art, humaity and a world which needs peace. The wisdom you have shared is very appreciated and inspirational. More poetry and books reviews forthcoming.

A Review Of: “Buddha In The Attic ” by Julie Otsuka

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As many of us are aware, Summer is a lovely time for reading as is the Fall. In the Winter we read to save ourselves from the sheer tedium that the harsher weather brings. Nonetheless; whatever the season reading may as well be purposeful and “White Gardenia” finds Julie Otsuka’s book “Buddha In The Attic” to be very purposeful. A proviso. This book is not poetry. It is fiction. But, it has a loveliness of words that can not be denied and it tells a tale concerning the inhumane treatment of Japanese women and Japanese men on American soil very few of us are aware occured not only during internment but very much so before that cruelty. The books crafts the individual stories of Japanese women tricked and deceived into coming into America and then treated on the ships that brought them here and after they arrived as nothing more than slaves. They were used sexually, raped, abused by they supposed husbands, used to do grueling work in the fields of California and housework for women who thought so little of them they only cared about how quietly and efficiently they went about their tasks. They were put through poverty, illness, miscarriages. They were segregated. They were treated like African Americans were and not allowed to eat in various restaurants, were aggressed in public and called ugly names. They were physically attacked and they were isolated on purpose.But, yet, they were these beautiful, amazing, human beings who survived sorrow after sorrow. This is a book well worth reading for most Americans so we can understand who we are and what we do. The book is a National Book Award Finalist. It is Best Book of The Year For The Boston Globe and a New York Times notable book. It has won the Pen/Faulkner. It is a short read under 130 pages but it will engage you completely within that time. It comes highly recommended.

“The Tool”: A Vantage Point On Writing From “White Gardenia”

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Not doggerel or yellow journalism, nor partisan verbage which seeks to train reader’s mind to its own convictions but “words.” Words liberated within the sanctity of freedom of speech and true human intent. Words that unearth mankind’s honest states of need ( hunger, oppression, poverty, violence, lack of education, housing, freedom). These are some of the foundations of poetry and writing in general as a method of societal communication. Then. come the other petals. Petal after petal — poems and words which speak of the spiritual, the personal, the confessional, the narrative of earthly goings on on the large and the small scale, image after image, line
or sentence after sentence acting as a matrix, this intentional place for the mind to “be.”

“Gospel Song” A Major Poem: Arlene Weiner

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Arlene writes:
I “received” this song, with music, on the Pennsylvania Turnpike. Composed December 26, 1997, while driving to New York. Can you hear tambourines at the line endings? —

Gospel Song

I am old, I am dull,
but I could shine
Look for me, find me,
take me up and use me.
Do not put me down,
do not lose me.
In your hand
I could be so fine.
Take me up, take me up, take me up and use me.

I am tarnished,
but I’m not finished
I could serve
Polish me, repair me,
take me up and use me
Do not put me down, do not lose me
In your hand
I could be so fine.
Take me up, take me up, take me up and use me.

I am bright, I am fair
but I am brass
I could be refined
Melt me down, temper me,
Try me, refine me.
Till I reflect
your perfect mind.
Do not, do not refuse me.
In your hand
I could be so fine.
Take me up, take me up, take me up and use me.

Copyright Arlene Weiner

“1959” & Other Poems Of Grace And Power By Arlene Weiner

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Arlene Weiner is the author of the poetry collection Escape Velocity (Ragged Sky, 2006), of which Poet Joy Katz wrote, “I want to keep my favorite of these beautifully alert, surprising poems with me as I grow old.” A MacDowell Colony fellow in 2008, Arlene has been a Shakespeare scholar, a cardiology technician, a college instructor, an editor, and a research associate in educational applications of cognitive science. Her poetry has been published in journals including Off the Coast, Pleiades, Poet Lore, and U.S. 1 Worksheets, anthologized, and read by Garrison Keillor on his Writer’s Almanac. She maintains a web site for Pittsburgh Poetry Exchange.

Arlene remarks, “It’s hard to capture what life was like in the past or is like in other societies. Before air conditioning, or where it isn’t available, the rhythms of life were ruled by the weather. The constraints on women, African-Americans, and other groups that once were taken for granted seem shocking now. The working conditions described in ‘1959’ are close to literally true. They reflect a summer job I had as a file clerk in the collection department of a credit card company. I filed a lot of letters that began, ‘This is ridiculous!’ I think they hired temp workers because they were about to convert to computers. I was wrong about Esther Williams, the movie star who swam her way to fame, I think she made her last swimming movie well before 1959. 

1959

Is it hot enough for you?
the neighbor said on the stairs
to the girl in gloves. Hot enough
for you? said the subway conductor,
closing the doors. Hot
enough? the elevator man
to the girl in a shirt waist dress,

one of many white girls,
in summer gloves, hair damp
on her neck, on her way
to the typing pool. She laughed
for the colored man moving
the brass control through its arc.

In the big room where the men
yelled into phones at debtors
fans turned. Ribbons fluttered
on the round cages to indicate breezes.
In the center of the room
an iron mesh, floor to ceiling,
surrounded the typists. Little jackets
hung on the backs of their chairs.

After work, elevator, subway,
stairs, supper. Maybe a movie,
Twenty degrees cooler inside.
Maybe an Esther Williams.

They never said, Fast enough
for you? Deep enough? High enough?
They never said then, Far enough?
Far enough for any of us?
Published in Escape Velocity (Ragged Sky Press, 2006) and on The Writer’s Almanac. Copyright Arlene Weiner.

Cancellation

Dear Sir or Madam:
I seem inadvertently to have signed up
or been signed up for the Death of the Month Club
and the deaths have been coming so frequently
that I haven’t had time to say, Stop.
I now have more than enough deaths
to last my lifetime and can give scant attention
even to the important deaths that everyone’s talking about,
the deaths long-awaited or overnight sensations,
precocious deaths. In the past
when the rubber tree relinquished its leaves
one by one, or a friend’s dog died,
I gave them serious consideration,
but I was young then, warm enough, and had hammock time
for melancholy wisdom. So dear, dear Sir,
merciful Madam, I hope you will agree
to stop my subscription, and if I have accrued
any bonus points, and you allow substitutes,
please send me instead preserves and tropical fruits.
Published in Escape Velocity (Ragged Sky Press, 2006) and Thatchwork, Delaware Valley Poets. Copyright Arlene Weiner.

 

Three Pointing Back

and thumb cocked ready.
Running around the empty lots.
Two shiny Dale Evans pistols came
with belt, holsters, red hat.
Origin story: big bang.
Blame blame blame.

A hand-me-down toy Colt
was better: dull gunmetal, big.
Loaded with Mom’s
Prince Matchabelli powder,
it smoked. Blame blame.

A mother’s son in Kevlar made a stand
with an AK-47, laid
three policemen down.
Pry my gun from my cold dead hand.
Blame blame blame.

Hate speech, talk radio, video game.
Salad shooter, cookie gun.
My hair dryer’s not innocent.
Improvised explanatory devices blame
the way we live now.

When Roy Rogers shot, his aim true,
the bad guy, shocked, rubbed his hurt wrist, Ow!

Copyright Arlene Weiner.